劇情簡介
韓國梨泰姬的味道短片。各種場所震撼場面大開眼界!
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尋找身體2
橋本環(huán)奈,真榮田鄉(xiāng)敦,櫻井海音,安齊星來,鈴木福,本田真凜,吉田明彥森崎明日香在破解校園詛咒后消失,三年后,新一批高中生被困在深夜游樂園,陷入 “被紅衣人殺死就重復(fù)同一天” 的循環(huán)。而追殺他們的紅衣人,正是被詛咒吞噬的明日香。眾人一邊求生,一邊試圖解開詛咒、拯救變回怪物的她。
我的曼?。?025圣誕特別篇
露茜·彭奇,喬安娜·拉姆利,菲利帕·鄧恩
恐影檔案
Thomas Dekker,Robert Englund,Fiona DourifA doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations.
風(fēng)云寶石Ⅰ:羅漢巖
甄鵬宇,鄧玉瑩,張潮豐陳霸先在梁朝末年以將軍之身,始終如一守護(hù)風(fēng)雨飄搖的王朝。因遭遇奸佞小人乘虛而入親信背叛。經(jīng)歷摯友摯親舍生取義而犧牲掩護(hù)逃離生死危機(jī)。心灰意冷之際,偶入世外桃源羅漢巖,就此遇良人遇恩師出江湖重整旗鼓。
魔鬼名校
Latkamon Pinrojkirati,Anchalee Saisoontorn,加圖蓬·丹古來Assigned by the professor, 5 senior university students were invited to the old mansion belongs to ML.Salukjit, an old elite who welcomes them with her weird attitude. Before the decision to leave or stay has been made, ML.Salukjit terrifies them and reveals her demonic power.
新萬圣節(jié)2
雪莉·穆恩·贊比,Chase Wright Vanek,絲柯·泰勒-考普頓,布拉德·道里夫,卡羅琳·威廉姆斯,馬爾科姆·麥克道威爾故事發(fā)生在位于伊利諾斯州的哈登菲爾德小鎮(zhèn)。臭名昭著的殺人狂邁克爾(泰勒·梅恩 Tyler Mane 飾)終于倒在了少女勞利(絲柯·泰勒-考普頓 Scout Taylor-Compton 飾)的槍下,然而之后他的尸體卻神秘的消失了,與此同時,在醫(yī)院里,出現(xiàn)了一個身份詭異而又神秘的病人,又一場血腥的殺戮即將拉開序幕?! ⌒疫\(yùn)的勞利再一次的從邁克爾的屠刀下死里逃生,可是,巨大的陰影始終籠罩在她的周圍,因為她知道,邁克爾一天不死,就總會再度回到她的身邊。一晃眼一年過去,萬圣節(jié)又要來了,與此同時將要舉辦的,是死難者的紀(jì)念會。勞利能夠感覺到,一雙熟悉的眼睛正在默默的注視著她。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.